Chord Gypsy Punks Underdog World Strike by Gogol Bordello

gypsy punks : underdog world strike 1 . "sally" 3 : 03 2 . "i would never wanna be young again" 3 : 46 3 . "not a crime" 4 : 31 4 . "immigrant punk" 3 : 45 5 . "60 revolutions" 2 : 58 6 . "avenue b" 3 : 08 7 . "dogs were barking" 4 : 53 8 . "oh no" 2 : 59 9 . "start wearing purple" 3 : 43 10 . "think locally , fxxk globally" 4 : 23 11 . "underdog world strike" 5 : 24 12 . "illumination" 3 : 52 13 . "santa marinella" 5 : 28 14 . "undestructable" 4 : 53 15 . "mishto!" title : sally artist : gogol bordello album : gypsy punks tabber : duncan usher intro : Am E | - - - - - - - - - - - - - - - - - - - | B | - - - 1 - - - 1 - - - - 1 - - - 1 - - | G | - - - 2 - - - 2 - - - - 2 - - - 2 - - | D | - - - 2 - - - 2 - - - - 2 - - - 2 - - | A | - 0 - - - - - - - - 0 - - - - - - - - | E | - - - - - 0 - - - - - - - - 0 - - - - | Am sally was a fifteen year old girl from nebraska gypsies were passing through her little town Dm they dropped something on the road , she picked it up . . . Am and cultural revolution right away begun! Dm Am add finger to 3rd fret of G for the counter chord thing oh no , cultural revolution just begun Dm Am oh no , cultural revolution just begun Am they always were afraid that i was schizophrenic . . . they always were afraid schto ja rodinu prodal Dm a po pravde ja bil prosto malenkij medvedik Am sel na velosipedik i vsjo nahuj proebal . . . Dm Am oh no , cultural revolution just begun Dm Am oh no , cultural revolution just begun Dm Am from all the tables of contents that mother earth provides Dm Am i’d like to be a big fat fxxking fly Dm Am the one that spins around your head all day and all night E and sound of it is just like a what? . . . Dm Am . . . but by the accident of some kind divine dispensation Dm Am i ended up being walking united nation Dm Am and i survive even fxxking radiation E a big fat fxxking what?and i would visit you a lot outro : Am title : i would never wanna be young again artist : gogol bordello album : gypsy punks tabber : duncan usher intro : A# A# , F# Bm by the desperate ’n’ confused emotion of the youth F# i was brought to crisis land where after getting checked for fleas and barricades of embassies Bm i was sculpted to be overworked and silent but since the early age i broke out of the cage and learned how to make marching drums F# from a fish can and i knew i’ll run away and so without further delay i said "two tears in a bucket Bm motherfxxk it!" Em Bm and it seems like i ran and ran Em Bm through the garbage and quicksand Em and after getting checked for fleas Bm and barricades of embassies F# i would never never never never wanna be young again! . . . E | - - - - - - - - - - - - - - - - - - - - - | | B | - - - - - - - - - - - - - - - - - - - - - | | G | - - - 4 - - - 4 - - - 4 - - - 4 - - - - - | | D | - - - - - - - - - - - - - - - - - - - - - | | A | - 2 - - - - - - - - - - - - - - - - - - - | | E | - - - - - 2 - - - 3 - - - 2 - - - - - - - | | key goes up : A , A# , G Cm but sudden wind it stole my hat and i went on chasing it G before i was just another burned out carnie every freak on every day lives a life one certain way Cm and that way is ain’t no nothin’ but a birthright~ but since the early age i broke out of the cage . . . and learned how to make marching drums G from a fish can and i knew i’ll run away and so without further delay i said "two tears in a bucket Cm motherfxxk it!" Fm Cm and it seems like i ran and ran Fm Cm through the garbage and quicksand Fm and after getting checked for fleas Cm and barricades of embassies G i would never never never never wanna be young again . . . E | - - - - - - - - - - - - - - - - - - - - - | | B | - - - - - - - - - - - - - - - - - - - - - | | G | - - - 5 - - - 5 - - - 5 - - - 5 - - - - - | | D | - - - - - - - - - - - - - - - - - - - - - | | A | - 3 - - - - - - - - - - - - - - - - - - - | | E | - - - - - 3 - - - 4 - - - 3 - - - - - - - | | next bit : Cm , G basically the intro but in the new key Fm Cm and it seems like i ran and ran Fm Cm through the garbage and quicksand Fm and after getting checked for fleas Cm and barricades of embassies G i would never never never never wanna be young again . . . violin bit : E | - - 15 - - - - 15 - - - - - - - 15 - 16 - 15 - 16 - - 19 - 21 - 22 - - - - - - - - - - | | B | - - - - - 18 - - - - 16 - 18 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | | G | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | | D | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | | A | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | | E | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | | outro : Cm , G artist : gogol bordello track : not a crime album : gypsy punks tabber : woodshed riff A E | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - - - - - - - - - | B | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - - - - - - - - - | G | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - - - - - - - - - | D | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - - - - - - - - - | A | - - - - - - - - - - - - 0 - 2 - 0 - - - 0 - - - - - - - - - | - - - - - - - 0 - 2p0 - - - - 0 - - - - - - - - | E | - - 12 - - 0 - - 3 - - - - - - - 3 - - - 3 - - 0 - - - - | - - 0 - - 3 - - - - - - - - 3 - - - - - - - - - - | E | - - - - - - - - - - - - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | B | - - - - - - - - - - - - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | G | - - - - - - - - - - - - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | D | - - - - - - - - - - - - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | A | - - - - - - - - - 0 - 2p0 - - - 0 - - - - - - - - - | - - 2p0 - - - 0 - - - - - - - - 2p0 - - - 0 - - - - - - - - - | E | - - - - 0 - - 3 - - - - - - - 3 - - - 3p0 - - - - - | - - - - - - 3 - - - - - - - - - - - - - - 3 - - - 3p0 - - - - - | riff ax4 minus slide from 12th fret on repeats ex3 bars followed by F#5 ex12 bars riff a x2 in the old times it was not a crime . drop the charges . the people realise . . . ex8 bars in the old times , in the old times . . . ex3 bars followed by F#5 ex12 bars ex3 bars followed by F#5 ex12 bars breakdown section riff B E | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | B | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | G | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | D | - - - - - - 0h2 - 2 - - - 2 - - - 2 - p0 - - - - - - - - - - - - - - - - | - - - - - - - - - - 0h2 - 2 - - - 2 - - - 2/5 - - - - - - | A | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | E | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | reality . . . E | - - - - - 0 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | B | - - - - /5 - 3 - 2 - 32 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 2 - - - - - | G | - - - - - - - - - - - - - - - - 4 - - - 3h4p3 - - - 3 - - - - - - - - - - - - - - - - - - - - 3 - 43 - - - 3 - - - - - - - | D | - - - - - - - - - - - - - - - - - - - - - - - - - - 5 - - - 5 - 4 - - - - - - - - - - 2 - 4/5 - - - - - - - 5 - - - - - - - - - | A | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | E | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | E | - - - - - 0 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | B | - - - - /5 - - 3 - 2h32 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | G | - - - - - - - - - - - - - - - - - 4 - - - 3h4p3 - - - - 3 - - - - - - - - - - - - - - - - 3 - 4p3 - - - - - - - - - - - - - | D | - - - - - - - - - - - - - - - - - - - - - - - - - - - - 5 - - - 5 - 4 - - - - - - 2 - 4/5 - - - - - - - 54 - - 2 - - - - - - | A | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | E | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | E | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | B | - - - - - 5 - 2h3p2 - /5 - - - - - - - 5 - 3 - 2 - - - - - - - - - - - - 5 - 3 - 2 - - - - - - - - - - - - - - - - 2 - - - - - - - | G | - - - - - - - - - - - - - - - - - - - - - - - - - - - - 3h4 - - - - - - - - - - - - - - 3/4 - 3/4 - - - 34 - - - - - - - - - - | D | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | A | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | E | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | in the old time . . . E | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | B | - - - - - 5 - 2h3p2 - /5 - - - 5 - 3 - 2 - - - - - - - - - - - - - - - - - 5 - - 5 - - 5 - - - - - - - - - - - - - - - - - - | G | - - - - - - - - - - - - - - - - - - - - - - - - - 3h4 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | D | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 2 - 2 - 2 - - - - - - | A | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 2 - 2 - 2 - - - - - - | E | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 0 - 0 - 0 - - - - - - | not a crime! ex3 bars followed by F#5 ex12 bars F# - E - F# - E ukranian not a crime F# - E - F# - E ukranian not a crime russian : - i’ve managed to get the letter , nikolay ivanovich . - and if it is forbidden again? - absolutely forbidden! belinsky * to gogol! ah , nikolay ivanovich , its such a letter! drop the charges! russian : gimme the forbidden! the fire and the power , yuh?! ukrainian in the old time it was not a crime , drop the charges , don’t you realise the sun rises? drop the charges , man! drop the charges! right you are! and this time , let the people know . . . in the old time , in the old time , in the old time it was not a crime! what are you talking about? in the old time , in the old time , in the old time it was not a crime! not a crime! it’s all nonsensical! not a crime! in the old time , in the old time , in the old time it was not a crime! in the old time , in the old time , in the old time it was not a crime! * coughs * not a crime! drop the charges! not a crime! not a crime! not a crime! reality! russian : oh , gimme the forbidden! aphorism * spices , creation , realisation , naturalisation , what are you talking about? it’s all about time ’cos today you go to nature . not a crime! in the old time , in the old time , in the old time it was not a crime! in the old time , in the old time , in the old time it was not a crime! not a crime , not a crime! not a crime! russian : oh , gimme the forbidden! not a crime! not a crime! drop the charges , man! not a crime! drop the charges! russian i have been sitting dangling my legs , i didn’t want to work not a crime! russian i have been sitting dangling my legs , i didn’t want to work not a crime! it’s not a crime , it’s legal - perfectly natural . immigrant punk tabbed by : ben wright standard tuning eadgbe any feedback appreciated , either leave a comment or email friskyfleabag@aol . com Am | - - - pm - - - | | - - pm - - | | - - - - - - - - - pm - - - - - - - - - - - - - - - - | E | - - - - - - - - 0 - - - 0 - - - - - - - - - - - - 0 - - - 0 - - - - - - - - - - - - 0 - - - 0 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | B | - - - - - - - - 1 - - - 1 - - - - - - - - - - - - 1 - - - 1 - - - - - - - - - - - - 1 - - - 1 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | G | - - - - - - - - 2 - - - 2 - - - - - - - - - - - - 2 - - - 2 - - - - - - - - - - - - 2 - - - 2 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | D | - - - - - - - - 2 - - - 2 - - - - - - - - - - - - 2 - - - 2 - - - - - - - - - - - - 2 - - - 2 - - - - - - - 22220000 - - - - - - - - - - - - - - | A | - - - - - 0 - - - - - - - - 2223 - - - - 0 - - - - - - - - - - - - - - - - 0 - - - - - - - - 2223 - - - - - - - - - - 333 - - - - - - - - - - - | E | - - - - - - - - - - 0 - - - - - - - - - 0 - - - - - - 0 - - - 3330 - - 0 - - - - - - 0 - - - - - - - - - - - - - - - - - - - - 3 - - - 0 - - - - - - | that’s the basic riff for most of the song . when i went to see them live though the played it like this : Am | - - - pm - - - | | - - pm - - | | - - - - - - - - - pm - - - - - - - - - - - - - - - - | E | - - - - - - - - 0 - - - 0 - - - - - - - - - - - - 0 - - - 0 - - - - - - - - - - - - 0 - - - 0 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | B | - - - - - - - - 1 - - - 1 - - - - - - - - - - - - 1 - - - 1 - - - - - - - - - - - - 1 - - - 1 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | G | - - - - - - - - 2 - - - 2 - - - - - - - - - - - - 2 - - - 2 - - - - - - - - - - - - 2 - - - 2 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | D | - - - - - - - - 2 - - - 2 - - - - - - - - - - - - 2 - - - 2 - - - - - - - - - - - - 2 - - - 2 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | A | - - - - - 0 - - - - - - - - 2223 - - - - 0 - - - - - - - - - - - - - - - - 0 - - - - - - - - 2223 - - 77775555333 - - - - - - - - - - - | E | - - - - - - - - - - 0 - - - - - - - - - 0 - - - - - - 0 - - - 3330 - - 0 - - - - - - 0 - - - - - - - - - - - - - - - - - - - - 3 - - - 0 - - - - - - | obviously it can be played either way , it’s down to you as to what you think sounds easier to play . in the verse after a while it then goes like this : "there is a little punk rock mafia everywere you go" 00 : 56 Dm Am Dm Am Dm E | - - - - 1 - - - - - 1 - - - - - 0 - - - - - 0 - - - - - 1 - - - - - 1 - - - - - 0 - - - - - 0 - - - - - 1 - - let ring - - - - - - - - - | B | - - - - 3 - - - - - 3 - - - - - 1 - - - - - 1 - - - - - 3 - - - - - 3 - - - - - 1 - - - - - 1 - - - - - 3 - - - - - - - - - - - - - - - - - - - - - | G | - - - - 2 - - - - - 2 - - - - - 2 - - - - - 2 - - - - - 2 - - - - - 2 - - - - - 2 - - - - - 2 - - - - - 2 - - - - - - - - - - - - - - - - - - - - - | D | - 0 - - 0 - - - - - 0 - - - - - 2 - - - - - 2 - - 0 - - 0 - - - - - 0 - - - - - 2 - - - - - 2 - - - - - 0 - - - - - - - - - - - - - - - - - - - - - | A | - - - - - - - 0 - - - - - 0 - - - - - - - - - - - - - - - - - 0 - - - - - 0 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | E | - - - - - - - - - - - - - - - - - - - 0 - - - - - - - - - - - - - - - - - - - - - - - 0 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | the open strings played here basically imitate the bass . the whole song is pretty much two riffs just alternating between each other , but for the bridge at 02 : 48 "of course we immigrants wanna sing all night long" Am E | - - - - 0 - - - - - - - - | B | - - - - 1 - - - - - - - - | G | - - - - 2 - - - - - - - - | D | - - - - 2 - - - - - - - - | x16 A | - - - - 0 - - - - - - - - | E | - - - - - - - - - - - - - | "so i’m relaxed , i’m just larking around" 02 : 59 bass adapted to guitar all palm muted E | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | B | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | G | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | D | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 222 - - 000 - - - - - - - - - - - - - - - - - - - - - - | A | - - 0 - - 002223 - - 00000 - - - - - - - - 00000002223 - - 000 - - - - - - - - - - - - 333 - - - - - - - - - - - - - - - - - | E | - - - - - - - - - - - - - - - - - - - - 33 - 0 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 3 - - - - - - - - - - - - - - - - | or all palm muted E | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | B | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | G | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | D | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | A | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 777 - - 555 - - 333 - - - - - - - - - - - - - - - - - | E | - - 5 - - 557778 - - 55555 - - 33 - 0 - - 55555557778 - - 555 - - - - - - - - - - - - - - - 3 - - - - - - - - - - - - - - - - | again it can be played either way , down to personal preference . that’s it pretty much , any comments or ratings very much appreciated : o immigrant , immigrant , immigrant punk immigrant , immigrant , immigrant punk immigrant , immigrant , immigrant punk x2 punk! upon arriving to the melting pot i get penciled in as a goodamn white now that i Am categorized officer gets me naturalized immigrant punk immigrant , immigrant , immigrant punk now that i’m living up in god knows where sometime it gets hard without a friend but as i Am lurking around hoptza! i see another immigrant punk! there is a little punk rock mafia everywhere you go she is good to me and i Am good to her . . . legalize me! realize me! immigrant , immigrant , immigrant punk immigrant , immigrant , immigrant punk immigrant , immigrant , immigrant punk despite the living up in usa i’m still holding up in all my ways i gotta friends , we gotta band we still make sound you can’t stand without banging on some big old pot without getting out of bed but i’m relaxed , i’m just lurking around hoptza! i see another immigrant punk! there is a little punk rock mafia everywhere you go she is good to me and i Am good to her . . . legalize me! realize me! party! of course we immigrants wanna sing all night long don’t you know the singing salves the troubled soul? so i’m relaxed , i’m just lurking around i got a method and you don’t you got a dictionary kicking around? look up the immigrant , immigrant , immigrant punk! punk immigrant punk immigrant , immigrant , immigrant punk immigrant , immigrant , immigrant punk immigrant , immigrant , immigrant punk immigrant , immigrant , immigrant punk immigrant , immigrant , immigrant punk punk! punk! punk! punk! i punk! 60 revolutions it really bums me out that there are no really good tabs of this amazing song by this band . heres the full guitar parts , tabbed by ear by john ox : intro E | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | B | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | G | - 14 - - - 17 - 14 - 13 - - - 16 - - - 13 - 13 - 16 - 13 - 14 - - - - - - 14 - 14 - 17 - 14 - 13 - 16 - - - | D | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 14 - - - - - - - - - - - - - - - - - - - - - - - | A | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | E | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | intro chords listen for the strumming pattern , pretty simple E | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | B | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | G | - 2 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 2 - - - - - - - 2 - - - - - - - - - - - - - - - - - - - | D | - 2 - - - - - - - - - - 2 - - - - - - - - - 2 - - - - - - - - - - - 2 - - - - - - - 2 - - - - - - - - - - - - 2 - - - - - - | A | - 0 - - - - - - - - - - 2 - - - - - - - - - 2 - - - - - - - - - - - 0 - - - - - - - 0 - - - - - - - - - - - - 2 - - - - - - | E | - - - - - - - - - - - - 0 - - - - - - - - - 0 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 0 - - - - - - | and then . . . accordion transcribed for guitar E | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | B | - - - - - - - - - - - - - - - - - - - - - - 12 - 13 - 12 - - - - | G | - - - - - - - 12 - 13 - 14 - 13 - 14 - - - - - - - - - - 14 - | D | - 14 - 13 - - - - - - - - - - - - - - - - - - - - - - - - - - - - | A | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | E | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | A5 E5 E5 sixty revolutions per minute A5 this is my regular speed A5 E5 E5 so how do you want me to live with it? how do you want me to live with it? chorus : A5 E5 without ringing all alarms E5 A5 without overthrowing czars A5 E5 without emptying the bars E5 without screwing with your charts then another verse , then the bridge E | - - - - - - - - - - - - - - - - - - - - - - - - - - - - | B | - - - - - - - - - - - - - - - - - - - - - - - - - - - - | G | - 14 - 12 - - - 7 - 9 - - - 10 - 9 - 7 - 4 - 5 - - - | D | - - - - - - - - - - - - - - - - - - - - - - - - - - - - | A | - 12 - 10 - - - 5 - 7 - - - 87 - 5 - 2 - 3 - - - - | E | - - - - - - - - - - - - - - - - - - - - - - - - - - - - | then more stuff . throw in the intro riff liberally . bass follows the chords , which pretty constant through the whole song . if you want to add a solo , use this scale . E | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 5 - | B | - - - - - - - - - - - - - - - - - - - - - - - - - 6 - 9 - - - | G | - - - - - - - - - - - - - - - - - - - 5 - 7 - 9 - - - - - - - | D | - - - - - - - - - - - - - 6 - 7 - 9 - - - - - - - - - - - - - | A | - - - - - - - 5 - 7 - 8 - - - - - - - - - - - - - - - - - - - | E | - 5 - 7 - 8 - - - - - - - - - - - - - - - - - - - - - - - - - | 60 revolutions per minute this is my regular speed so how do you want me to live with it? how do you want me to live with it? without ringing all alarms! without overthrowing czars! without emptying the bars! without screwing with your charts! 60 revelations per minute this is my regular need so how do you want me to live with it? how do you want me to live with it? without ringing all alarms! . . . without ringing all alarms! without overthrowing czars! without emptying the bars! without screwing with your charts! i’m gathering new generation that’s gonna stand up to it to this karaoke dictatorship where posers and models with guitars boogie to the shit for beats i make a better rock revolution alone with my dick! without ringing all alarms! without overthrowing czars! without emptying the bars! without screwing with your charts! si el america me lo bate que rico chocolate no esperabas que por alguien me mate si el america me lo bate que rico chocolate no esperabas que por alguien me mate without ringing all alarms! without overthrowing czars! without emptying the bars! without screwing with your charts! sesenta por minuto es mi reputacion y no te estoy hablando yo de revolucion hace mucho tiempo que yo ya no te decian basta de injusticia , muerte y policia . basta de lo que digas ya esta todo arreglado digas lo que digas yo te mando deportado el que tiene impone y sobre la ley dispone mientras que el pobre es pobre pobre , pobre y otro se la come pobre , pobre , pobre , pobre y otro se la come come pobre , pobre , pobre , pobre y otro se la come come avenue B okay so the progression is just this; Am - E and some Dm sitting in the russian bath house on the avenue B no matter how much we sweat we just can’t agree ai razminku yorshikom provodim my nobody learns no nothing from no history tall little sally plays with magic ebbles dasha sells equipment to the chechnian rebels ya vihozgu iz anala v astral tam mnogo chego slishal no ne zapisal nesmotrja na se . she . A . ne poterjal azarta buhaju strogo kazdoje 8 - E marta sitting in the bath house on the avenue B and never agree . . . . . . but sally all empires fall . . . even trends they fade away even complete stranger asshole can lead you astray . . . but god damn it , next round is on me nobody learns no nothin’ from no history tall little sally my darlin’ your panic is so charming your shopping techniques are amazing your celebrity erudition is disarming . . . yura viruchai! oh no starts with strumming Em . . . Em B sometimes when facing common trouble Em when whole town is screwed B we become actually human Em act like prometheus would A suddenly there is more humor G and a party tabor style B people ringing one another Em "yo man , how was your blackout?" B suddenly there is more music Em made with the buckets in the park B girls are dancing with the flashlights Em i got only one guitar! A and you see brothers and sisters G all engaged in sport of help B making merry out of nothing Em like in refugee camp Em B Em oh yeah oh no , it doesn’t have to be so B it is possible any time anywhere Em even without any dope B Em oh yeah oh no , it doesn’t have to be so B Em forces of the creative mind are unstoppable! and so on . . . sometimes when facing common trouble when whole town is screwed we become actually human act like prometheus would suddenly there is more humor and a party tabor style people ringing one another "yo man , how was your blackout?" suddenly there is more music made with the buckets in the park girls are dancing with the flashlights i got only one guitar! and you see brothers and sisters all engaged in sport of help making merry out of nothing like in refugee camp oh yeah oh no , it doesn’t have to be so it is possible any time anywhere even without any dough oh yeah oh no , it doesn’t have to be so forces of the creative mind are unstoppable! and you think , all right , now people they have finally woked up but as soon as the trouble over watch them take another nap nobody is making merry only trotting scared of boss everybody’s making hurry for some old forgotten cause but one thing is surely eternal it’s condition of a man who don’t know where he is going who don’t know where does he stand who’s dream power is corked bottle put away in dry dark place who’s youth power is well buried under propaganda waves who’s dream life is in opposition with the life he leads today who’s beaten down in believing it just kinda goes this way! oh no , it doesn’t have to be so forces of the creative mind are unstoppable! start wearing purple Am start wearing purple wearing purple E7 start wearing purple for me now E7 all your sanity and wits they will all vanish Am i promise , it’s just a matter of time so yeah Am start wearing purple wearing purple E7 start wearing purple for me now all your sanity and wits they will all vanish Am i promise , it’s just a matter of time Am i met you when you were a twenty , and i was twenty E7 and thought that some years from now E7 a purple little little lady will be perfect Am for dirty old and useless clown so yeah Am start wearing purple wearing purple E7 start wearing purple for me now E7 all your sanity and wits they will all vanish Am i promise , it’s just a matter of time Am so yeah , i know it all from diogenes to the foucault E7 from lozgechkin to passepartout E7 i ja kljanus obostzav dva paltza Am schto ti ha schto muzika poshla a zvuk gavno Am start wearing purple wearing purple E7 start wearing purple for me now start wearing purple for me now E7 all your sanity and wits they will all vanish Am i promise , it’s just a matter of time Am E7 so vio - vio - violetta etta va - va - va - vaja dama ti moja Am eh podayte nam karetu , vot etu , i mi poedem k ebenjam Am so yeah , ah start wearing purple wearing purple E7 start wearing purple for me now E7 all your sanity and wits , they will all vanish Am i promise , it’s just a matter of time "think locally fxxk globally" still trying to tab if you figure it out tell me!!!!!!!!!!! riley_rousseau_allen@yahoo . com underdog world strike still tring to tab if you figure it out tell me!!!!!!!!!!! illumination verse : Am Am don’t believe them for a moment Dm E for a second , do not believe , my friend Am Am Dm when you are down , them are not coming E Am with a helping hand Am Dm of course this is no us and them E play like intro Am Am but them they do not think the same Dm E it’s them who do not think chorus : the strumming is more casual here but the same chords Am Dm E they never step on spiritual path Am Dm E they paint their faces so differently from ours Am Dm and if you listen closely E Am in intro rhythm Am Dm that war it never stops E that war it never stops santa marinella F# h o solnce santa marinelly , F# izlizannyi toboyu , A ya poluchal ne raz , tai - da - rida F# v posolstvah s - sh - a otkaz tam nedaleko ot rima est gorod palestrina zvezda pereferii , vsja v maslinah , stala nasha malina o mama palestrina , vstrechajte pyanih pilligrimov , bez prava na vyezd , bez vizy na vdoh , bez vizy na vidoh ya vzmolilsa "che cazzo! io porca madonna!" gde tletvorniy pod’ezd , ili etot ot’ezd delo musoroprovod A G F#m solo perche ti amo mia madre ah! crescendo paranoia . A G F# solo perche ti amo mia madre ah! porca madonna . F# my obliko russo amorale F# chest’ raspizdoto my ne zamarali A da uno da due G F# da uno da stronzo puttana na americana bazar takoi v rime vse v rjad stoyali uno mille lire poeti , yuristi , mediki - vse farzovoi stali hohlomu - samovari redkost - tovari vse fuflo tolkali krutiye navari no drug pered drugom vsezh svoi otjezd opravdali ya na piazza navona , sidel , rastjagival shkavarku , nu , konechno , flirtoval , no i sem’ye pomogal a ya na rimskoi mostovoi , ya lezhal , zhdal priboj , oi - oi - oi , ya tak prosil pit , a tut eshe etot papa rimskiy ya s detstva ego hotel zamochit o carabinery , ya vam dokazival ne raz , chto muzikantu vo vrema kaifa smotret nuzhno prjamo v glaz solo perche ti amo mia madre ah! porca madonna . solo perche ti amo mia madre ah! crescendo paranoia . mi obliko russo amorale chest’ raspizdoto my ne zamarali da uno da due da uno paranormale . sono emigranto solo perche ti amo mia madre ah . . . . solo perche ti amo mia madre ah . . . . da uno da due da uno stronzo merdoso da uno da due da uno porca puttana spoken : prekrasnaya novost ebut v paperdo? ya ih - to mudohat , zamudohal mudoha . . . la - la - la a solnce santa marinelli vgrizalos nam v capilljari a nasha nadezhda spolzala po stenam , muh ne otgonjaya , no vot kak - to odnazhdi , ne znaju uzh kak prishlo i nam dobro iz - za okeana i togda , na rashodnjak . a! i togda na rashodnjak! title : undestructable band : gogol bordello album : gypsy punks tabber : duncan usher intro : Em F G C Em F when i was younger i lived in fear G C that incarceration of some kind is near Em F i checked my head in tact with rules G C i nearly became a goddamn fool Am F but i’ve heard voices not in the head G C out in the air they called ahead Am through ripped out speakers F through thick and thin G they found a shelter C under my skin F G how many darkest moments and traps Am still lay ahead of us * undestructable * F G how many final frontiers Am we gonna mount and maybe no victory laps * undestructable * F G but if you stepped on path of sacred art Am and stuck it out through thick and thin * undestructable * F G god knows you become one with undestructable intro : Em F G C Em F and so no longer live i in fear G C them are too greedy to pay my asylum bills Em F this is my life and freedom is my profession G C this is my mission throughout all flight duration Am F there is a core and it’s hardcore G C all is hardcore when made with love Am F love is a voice of a savage soul G this savage love is C undestructable F G how many darkest moments and traps Am still lay ahead of us * undestructable * F G how many final frontiers Am we gonna mount and maybe no victory laps * undestructable * F G but if you stepped on path of sacred art Am and stuck it out through thick and thin * undestructable * F G god knows you become one with undestructable intro : Em F G C Am F G C undestructable:x1 x2:mishto : E - Am Dm - Cm Em - Bm sha bu’et kruto blya! sha bu’et kruto!